Gershwin's Music

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On this website we make and upload new jazz bass transcriptions periodically. Come back in a few days to check the new transcriptions. Good luck!

Displaying 1 - 28 of 28

Embraceable You - George Duvivier Full Bass Line

How Long Has This Been Going On - George Duvivier Full Bass Line

Let's Call The Whole Thing Off - Ray Brown Full Bass Line

Our Love is Here to Stay - Ray Brown Full Bass Line

Love Walked In - Ray Brown Full Bass Line

The Man I Love - Ray Brown Full Bass Line

But Not for Me - Steve Davis Full Bass Line

Who Cares? - Percy Heath Full Bass Line

Who Cares? - Chuck Israels Full Bass Score

I Can't Get Started - Wilbur Ware Full Bass Line

Summertime - Paul Chambers Full Bass Line

They Can't Take That Away From Me - I.Crosby Full Bass Line

Summertime - Ray Brown Full Bass Line

But Not for Me - Larry Grenadier Bass Line (2 Ch.) + Solo

But Not For Me - Paul Chambers Full Bass Score

My Man's Gone Now - Scott LaFaro Bass Solo

A Foggy Day - Paul Chambers Full Bass Line

But Not for Me (Take 2) - Percy Heath Full Bass Line

Embraceable You - Red Mitchell Full Bass Score

The Man I Love - Wilbur Ware Full Bass Score

I Got Rhythm - Slam Stewart Bass Line (1st Ch.) & Solo

But Not For Me - Israel Crosby Full Bass Line

The Man I Love - Oscar Pettiford Bass Solo

Love Walked In - Wilbur Ware Bass Solo

Summertime - Chet Baker Melody + Solo

But Not For Me - Chet Baker Solo

The Man I Love - Wilbur Ware 1st Solo (Bass Melody)

But Not For Me - Paul Chambers Bass Solo

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Wilbur Ware

Wilbur Bernard Ware (September 8, 1923 – September 9, 1979) was an American jazz double bassist. He was a staff bassist at Riverside in the 1950s, recording with J.R. Monterose, Toots Thielemans, Tina Brooks, Zoot Sims, and Grant Green. Ware taught himself to play banjo and bass. In the 1940s, he worked with Stuff Smith, Sonny Stitt, and Roy Eld.. Go to the Page

Jymie Merritt

A classically trained player with a surging style characterized by the frequent use of triplet figures and putting notes ahead of the beat, Jymie Merritt made a successful switch from jazz to R&B and blues and back to jazz again in the ’50s. Merritt played with John Coltrane, Benny Golson, and Philly Joe Jones in 1949, but worked with Bull Moose Jackson and B.B. King playing electric bass in t.. Go to the Page

Gershwin's Music

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